In this episode we'll be working closely with shape masks, color masks, and a combination of the two. We'll learn how to color correct just smaller parts of an image based on a shape or just a single color range. Techniques you learn here can also be used to recreate the Pleasantville effect or, in a more contemporary example, season 2 of Breaking Bad's flash forwards, where the iconic pink teddy bear is floating in the pool.
In this episode we’ll be working on something rather cool: recreating a Dolly Zoom effect in both Final Cut Pro X and Motion, complete with examples!
A rundown of Motion 5's Speeds can be found here: http://help.apple.com/motion/mac/5.3/#/motn13747f67
In this episode we’ll cover the process of roundtripping from Final Cut Pro X over into DaVinci Resolve for color corrections and then back into FCP X for any finishing touches we might want to make.
In this episode we’ll be talking about two key, often-requested topics that are the foundation of nearly every project: media management and switching between proxy and optimized media to quickly complete your edits.
In this episode we look at EditReady as a viable alternative to generating proxy and optimized media in FCP X while exploring some of its other benefits, namely LUT previews, adding metadata, and more!
In this episode, we cover the interface of the newly-released Final Cut Pro X.3. There’s a bit of a facelift and some buttons have moved around, but it’s still the same editor we know and love. Happy to be back after quite a hiatus!
In this episode, Andrew covers the interface of Motion 5. Not all of it in its entirety, but just enough to make you a dangerous motion graphics creation weapon.
In this episode Andrew addresses user feedback, fulfills the number one request of listeners, and tells you all about retiming in Final Cut Pro X.
In this episode, Andrew will go over one way to setup and maintain an efficient and consistent export workflow in Final Cut Pro X.
In this episode, Andrew will show you how to quickly and efficiently organize your footage with Smart Keyword collection so that you can cut through the clutter of larger or more complex types of shoots and start telling your story right away.